I am fully aware that it gets harder as it goes on which is why i don't want a fingering handicap right from the beginning. I already have reasonably no major issues playing the first couple of pages. After downloading the free score and messing around with it just to determine the difficulty level i think i'm pretty confident that with some hard work i can play this. In other words i only wanted to invest if i am reasonably confident that i'm capable of playing the piece in the first place. The answer to your first question is "i'm not sure" and the answer to you second question is "because i wanted to know the answer to your first question" if that makes any sense. My second question is : If you are serious about studying, playing and eventually mastering this work, why would you be satisfied with using a dubious source such as a free on-line copy? Hi Bruce, thanks for getting back to me so fast. Since you are concerned about your technique, my first question to you is : Is "La Campanella" a piece that is within your technical grasp? My copy of the score is the same Schirmer edition, edited by Paolo Gallico, that you pulled up from and the RH fingering in that measure is 1, 4, 1, 5.Īs for the last measure on that page, I would use the suggested fingering, although I see nothing wrong with using 2, 1 if it's more comfortable for you particularly, since that figure continues on the next page with 2 (on the grace note), and 1 on the melody note. I printed out the page in question from, and the printed copy is fuzzy enough - even with my laser printer - that it's quite possible to misread the fingering in bar 4. Pedro Actually, your first question is in bar 4 : I know there's a double bar line splitting bar 4 - to show where the "theme" begins, but if you count out the measure six eighth notes include the (Right hand) eighth note and the eighth note pause. I am also aware that i need to work on my technique too but i want to eliminate any bad habits if i could first. If i had mastered the piece already it wouldn't bother me but i am struggling with it and wondering if it could have something to do with wrong fingering (i.e. For instance in the opening measure (5) i do 1-3-1-5 and the suggestion is 1-4-1-4 which is significantly different and in the last measure on that first page I use 2-1 for the first 2 notes and the suggestion is 3-2. One however ( http:/ / a/ item.html?id=61215&item=3148462) allows you to view the first page and from that i could tell that my own fingering is quite different. When i did a search for it i came with a few most of which had no information at all about whether they contain fingering or not. I am looking for a score sheet free or otherwise that would give me some suggestions regarding the best fingering to use. As a whole, the étude can be practiced to increase dexterity and accuracy at large jumps on the piano, along with agility of the weaker fingers of the hand.I am attempting to play "La Campanella" however the free music score i downloaded from the web doesn't give any fingering suggestions at all. It is played at a brisk allegretto tempo and features right hand jumps between intervals larger than one octave, sometimes even stretching for two whole octaves within the time of a sixteenth note. The étude is famous for being one of the most difficult pieces ever written for piano. 2 in B minor, where the tune was reinforced metaphorically by a 'little handbell'. Its melody comes from the final movement of Niccolò Paganini's Violin Concerto No. La Campanella (The Little Bell), The third Grande Etude of Paganini in G# minor, S.141. La Campanella - Franz Liszt - Piano Solo. Published by Diamond S Music (A0.790156).
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |